| 2016 | Doctor of Philosophy College of Arts, University of Tasmania |
| 2004 | Master of Fine Art Monash University, Melbourne |
| 2003 | Certificate IV Work Place Training and Assessment, Victoria University |
| 1987 | Bachelor Fine Art, Phillip Institute of Technology, (now RMIT University) |
| 2018 | Breath, Stockroom Gallery, Kyneton |
| 2016 | The Sensation of Place, Plimsoll Gallery, University of Tasmania |
| 2013 | Terra Ambulare (Earth Walk), 24 meter public art installation, City of Hobart. |
| 2009 | Cloud Garden, Chapman Gallery, Canberra |
| 2007 | A Bend in the River, Christine Abrahams Gallery Melbourne |
| 2001-06 | Circumnavigating the Island, Solo Touring Exhibition: |
| 2006 | Danish National Museum, Frederiksborg, Denmark |
| 2004 | Faculty Gallery, Monash University, Melbourne |
| 2004 | Warrnambool Regional Art Gallery, Victoria |
| 2003 | Devonport Regional Art Gallery, Tasmania |
| 2003 | Burnie Regional Art Gallery, Tasmania |
| 2001 | Salamanca Arts Centre, 10 days on the Island Festival, Hobart, Tasmania |
| 2001 | Mass Gallery, Victoria, Despard Gallery, Tasmania |
| 2005 | 10 days, Despaired Gallery, Hobart |
| 2004 | Roaring Beach and Beyond, Christine Abrahams Gallery, Melbourne |
| 2002 | The View from Here, Christine Abrahams Gallery, Melbourne |
| 2001 | Light on Water, Artist in Residence exhibition, Firbank Grammar School |
| 1999 | Thin Blue Line, Temple Studios, Melbourne |
| 1998 | Edge of the World, Jackman Gallery, Melbourne |
| 1996 | Journey's North & South, Salamanca Arts Centre, Hobart & Continental Exhibition Space, Melbourne |
| Macquarie Bank, Artbank, Joseph Brown Collection, Lowenstein Arts Management Collection, Monash College Collection, Firbank Grammar Melbourne. Jon Voight Collection Los Angeles and private collections Australia, Britain, France, and U.S.A. |
| 2011-13 | Public Art Commission, Terra Ambulare (Earth Walk), Hobart City Council &Tasmanian Community Development Fund |
| 2011 | Research Travel Grant, University of Tasmania to present conference paper at Oxford University, United Kingdom |
| 2010 | PhD Scholarship, University of Tasmania. |
| 2007 | Research Publication Grant, Monash University for exhibition catalogue, A Bend in the River |
| 2006 | Dame Elizabeth Murdoch Trust Fund Grant to exhibit at the Danish National Museum, Frederiksborg |
| 2005 | Research Travelling Fellowship, Monash University, to exhibit at the Danish National Museum, Frederiksborg |
| 2001 | Commissioned Solo exhibition for 10 days on the island Festival, Hobart, Artistic Director, Robyn Archer. |
| 2001-04 | HECS Exempt Scholarship Monash University Master Fine Arts (by research) |
| 2001&2003 | Pat Corrigan Artist Grants, National Association of the Visual Arts |
| 1998 | Cultural Community Development Grant, Australia Council for the Arts |
| 2020 | Upcoming: One Star Gallery |
| 2018 | Mixed tape Stockroom Space Gallery |
| 2016 | Moth to the Flame, Salon Hang, Lt Collins St, Melbourne |
| 2014 | Tarkine, Brightspace Gallery, Melbourne |
| 2013 | Shore things, Brightspace Gallery, Melbourne |
| 2013 | From the Island, Salamanca Arts Centre, Hobart |
| 2012 | Moment Monash University Faculty Gallery, Caulfield VIC |
| 2011 | Finalist Tasmanian Art Award |
| 2009, 2005 & 2004 | Finalist Glover Prize, Tasmania |
| 2009 | Finalist Buller Art Award Same but Different, Kristian Pithie Gallery, Melbourne |
| 2006 | Lexicon, City Library, Melbourne |
| 2005 | On the Island, Despard Gallery, Hobart Artsofar, Office of Premier & Cabinet, Parliament House, Victoria |
| 2004 | John Leslie Art Prize, Gippsland Art Gallery |
| 2003 | Island Art Prize, Tasmania Artists for Tarkine, Bright Gallery, Melbourne |
| 2001 | From the ground up, Chapman & Bailey, Melbourne |
| 200-01 | We are Australian, National and International touring exhibition Commonwealth Department Immigration & Multicultural Affairs, State Library Queensland, George Adams Gallery, Victorian Arts Centre, United Nations Conference, South Africa |
| 2000 | Finalist Fleming Muntz Art Prize, Albury Regional Gallery |
| 1998 | Caught Looking, Jackman Melbourne & Tap Gallery Sydney |
| 1997 | Studio Xposed, Salamanca Arts Centre, Hobart Pride & Prejudice, Despard Gallery, Hobart |
| 1996 | Paint Brush will Travel, Star Palace Hotel, Delhi, India |
| 1995 | Viva la Donna, Women's Gallery, Melbourne |
| 1989 | 12 Days , Australian Centre Contemporary Art, Melbourne |
| 1989 | Heidelberg-Heritage,9x5, Linden Gallery |
| 2018-20 | Lecturer in Art/Teaching Associate, Breadth Programs; Drawing with Anatomy, Nature Morte, Life Drawing the Body, Art and The Botanical. Victorian College of the Arts, University of Melbourne |
| 2008-20 | Lecturer in Charge/ Subject Coordinator, Painting (Arts 241) and Drawing (Arts109) School of Arts, Australian Catholic University (Melbourne) |
| 2016-17 | Lecturer, Core Curriculum, Faculty of Theology and Philosophy Australian Catholic University (Melbourne) |
| 2004-15 | Lecturer, Drawing, (General drawing, Life Drawing, Conceptual Drawing) Faculty Art, Design & Architecture, Monash University |
| 2015 | Lecturer, Painting Monash College International |
| 2005-11 | Lecturer, Drawing A and Drawing B Monash College International |
| 2010 | Lecturer, Introduction to Drawing College of the Arts, University of Tasmania |
| 2001-09 | Teacher/Program Co-ordinator, Aboriginal Studio Arts Program, Winja Ulupna and Galliamble, Centre for Creative Ministries and Ngwala Willumbong Cooperative Ltd |
| 2003-04 | Lecturer, The Exquisite Corpse School Creative Arts, University of Melbourne |
| 2001-03 | Lecturer, Life Drawing, General Drawing, Studio Materials, Presenting Information, School of Arts, Victoria University of Technology |
| 2018-2020 | Lectures - Victorian College of the Arts, University of Melbourne: Drawing with Anatomy: A history of anatomical practice and drawing Drawing with Anatomy: The Human Figure in Historical and Contemporary Art Life Drawing the Body: Historical Approaches to Drawing the Body Life Drawing the Body: Form Fragment and Figure Life Drawing the Body: Speaking through the Body and Identity. Nature Morte: A History of the Still Life genre. Nature Morte: Contemporary Still Life: Rebels and Homebodies |
| 2016 | Doctor of Philosophy Research Exegesis: The Sensation of Place; Translating the experiential sensation of place through painting, University of Tasmania |
| 2013 | Book Chapter: The Sensation of Place; translating the experiential sensation of a space into a work of art, A Sense of Space, , Harvestway House, Oxfordshire, U.K |
| 2012 | Catalogue Essay: Moment, Monash University. |
| 2011 | Conference Paper: Sensing place, Space Place Symposium, Oxford University |
| 2009 | Catalogue essay: Possum Skin Cloak Winja Tiddas, Australian Catholic University. |
| 2007 | Form, Content and Meaning in Urban Aboriginal Painting at Winja Ulupna. Exhibition essay, Gasworks Park & Art Gallery. |
| 2007 | Exhibition Research Essay: Creative Minds, Melbourne Conference Centre. |
| 2005 | Research Project: Creative Ministries Network, Uniting Care Community Development Fund; Linking Aboriginal Art Program to educational institutions for accreditation. |
| 2004 | Research Exegesis: Landscape, A Response to the Australian Environment. Masters Fine Art, Monash University |
| 2004 | Research paper Traditional symbolism in Victorian Aboriginal Art, Creative Ministries Network, Uniting Care Community Development Fund. |
| 2001-2008 | Annual Research Reports, Urban Aboriginal Art Program, Creative Ministries Network, Uniting Care Community Development Fund. |
| 2012 | Moment, Faculty Gallery, Monash University |
| 2009 | Winja Tiddas, Healing Gathering Possum Skin Coat, exhibition Australian Catholic University Gallery, Melbourne |
| 2007 | Paintings From Winja Ulupna, Gasworks Park & Art Gallery and The Centre for Creative Ministries |
| 2007 | Our Place, NAIDOC Indigenous artist’s exhibition, Public galleries, St.Kilda Town Hall |
| 2007 | Creative Minds, THeMHS International Conference, Melbourne Convention Centre , Department of Health and Human Services, Victoria |
| 2001-02 | Visual Arts Co-ordinator and Curator: Winja Stories, Urban Dreaming Project, artsofar Gallery Melbourne & Regional tour to five Aboriginal Community Cultural Centres in Victoria: Gippsland, Shepparton, Geelong, Ballarat and Warrnambool Centre for Creative Ministries and Ngwala Willumbong Cooperative Ltd |
| 2001 | First Time Out, Indigenous Artists in St.Kilda, artsofar Gallery Melbourne and The Centre for Creative Ministries |
| 1996 | Caught Looking, Identity & Self Portrait, Jackman Gallery Melbourne and Tapp Gallery Sydney |
| 1996 | Towards 2006, Arts Access & Department of Health & Community Services, Footscray Community Arts Centre. |
| 1995 | Sub-Lime-Light, Salamanca Arts Centre Hobart |
| 2013 | Times Passing Parade, review, Clyde Selby. Mercury, Hobart. |
| 2009 | Cloud Garden, catalogue essay, Fiona Trigg. Chapman Gallery, Canberra |
| 2007 | A Bend in the River, catalogue essay, Kit Wise, Christine Abrahams Gallery, Monash University Publication. |
| 2006 | Australian Visit, catalogue essay, Bronwyn Scanlon, Danish National Museum, Frederiksborg |
| 2005 | Message of Conflict, review, Jorge Andersch, Hobart Mercury. |
| 2004 | Masterful Melancholy, article, Felicity Allan, Herald Sun, Melbourne. |
| 2003 | All about the Island, catalogue essay, Dr. Robert Nelson, Devonport Gallery, Tasmania |
| 2003 | Beauty & Hidden Agendas, article, Laura Murray Cree, State of the Arts. Monumental Art, the Advocate, Launceston. Reconciliation scape The Examiner, Launceston. |
| 2002 | Tasmania, the New Sea Change, The Age Melbourne & Sydney Morning Herald. 2001 Nature of the Beast, review, The Age, Melbourne. |
| 2000 | Close Up-ANN HOLT, Documentary/artist profile, The Arts Show, AB |
